Cast:
Ian McKellen | ... | King Lear | |
William Gaunt | ... | Earl of Gloucester | |
Philip Winchester | ... | Edmund | |
Ben Meyjes | ... | Edgar | |
Frances Barber | ... | Goneril | |
Monica Dolan | ... | Regan | |
Romola Garai | ... | Cordelia | |
Sylvester McCoy | ... | Fool | |
Jonathan Hyde | ... | Earl of Kent | |
Guy Williams | ... | Duke of Cornwall | |
Julian Harries | ... | Duke of Albany |
Directed by: Trevor Nunn
What can one say about Sir Ian McKellan? Other than, brilliant, endearing, commanding, kingly, lowly, human, pitiable, enviable. In an interview after he says, for an actor, what comes after the everest of Lear? Indeed Sir Ian, indeed. "Lear is not a retrospective of a life, you're flung right into it."
If Lear is Gandalf than the Fool is his Bilbo..Seriously the actor reminds me so much of Ian Holm I was surprised to find out it wasn't him! He is also a genius. The fool is the ultimate tragic role in this, and his boyish charm and loyalty to his king is ultimately the most interesting dynamic - so much so that we are bereft without him after his death. His choices were refreshing and exciting.
Cordelia played by Romola Garai is clearly not classically trained for the speech, but she does a decent job at it. I do like her work for its innocence. I find she adds a tremendous amount of hand movements and gestures to highlight her lines at the end of them. Bizarre and uneccessary. She's also wicked bad at playing dead. Keep still woman!
Goneril is horribly ahead of herself, she bursts in fits of tears that do not connect. One second she's crying the next she looks up as if she wasn't upset in the first place - and then a second later back to tears. It takes only the best of actors to do this successfully, and should not be attempted by amateurs because it only makes them look like children trying to find their feet.
Regan is clearly in a league of her own, she's the actress in the scenes with her and Goneril. Quite a brilliantly, well thought out, clear performance. She's got an exciting face to watch, and the actress knows it. I could totally see her as Arkadina from The Seagull. She's also ALWAYS drinking - hilarious choice, considering how she croaks in the end. *UPDATE: I just read Frances Barber's (Goneril) bio on imdb - perhaps I was a little too harsh on her...she clearly has a lot of experience, oddly enough though, apparently she played Arkadina in the Seagull right after this production. Guess I got the sisters wrong!
Edmund was a bit of a conundrum for me. I thought at first that he certainly had the confidence to speak the text, but then I realised I was mistaking the fact that he was trying to make the text "sexy" because I think he's somehow linked evil to sexy. Evil can be and often is sexy, mainly because of the confidence that antagonists bear. But this Edmund only manages to play a villan, and not be one. He also does these overdramatic turns towards (and away from) the camera...making me wonder if he's had more dance training than acting lessons. I'll give him this, since I realise I've torn him apart slightly - his accent is impeccible. I'm pleased to see he has done his homework in that respect, considering he was born in the States.
Kent is very clearly a stage actor, with a great deep voice.
Cornwall is kind of non-descript. Nothing really registers in his eyes, although he has a solid voice...but the result of his lack of animation leaves one, most of the time, watching the performance of his wife.
Edgar started out kind of geeky charming...and then he took his glasses and his shirt off. YUM. But seriously, by the end he turns into a wonderful, believable and honest hero.
All in all, a production to see - and how fortunate that it was captured on film as a record of this great stage production. Shakespeare, come back and we'll get married. Okay?